Michelangelo at Age 12 copying
Old man's face
Unninished Madona in red, white, and black chalks. This drawing really shows how he worked He would sketch it and indicate shadow areas were. He would then add in the white highlight The1n he would work the reds and blacks over the white. He would also make corrections to the original outlines. But 95% of the time the first line was correct.
Entombment, Unfinished Painting
Mary Magdalen in his unfinished Entombment